Gather 'round, my dear devoted dolls, for tonight we unravel the colossal camp of Attack of the 50 Foot Woman ! This 1958 classic stomp...
Gather 'round, my dear devoted dolls, for tonight we unravel the colossal camp of Attack of the 50 Foot Woman! This 1958 classic stomped its way into our living rooms courtesy of Svengoolie’s gloriously ghoulish showcase—and what a show it was!
Picture this: the luminous Nancy Archer (played by the mesmerizing Allison Hayes), rich yet ravaged by her husband's indiscretions, finds herself tangled in a web of extraterrestrial energy. The result? A transformation into a vengeance-driven, fifty-foot femme fatale with no patience for philandering fools. Nancy’s story is a cocktail of sci-fi spectacle and melodrama, shaken (not stirred) with a heavy pour of social commentary.
Now, darlings, let us marvel at the magic—or mischief—of mid-century moviemaking. The "special effects" (I use that term lovingly) may be... let's say "quaint." A papier-mâché hand here, a translucent superimposition there—it's all part of the charm! After all, cinema isn't merely about realism; it's about vision.
Speaking of vision, Svengoolie's hilarious asides were the perfect garnish. His signature puns and factoids injected an effervescent energy that elevated the viewing experience. One can't help but applaud his dedication to the art of the absurd.
Nancy’s journey, from despairing socialite to skyscraping symbol of scorned womanhood, captivated me. With each lumbering step, she crushed not only scenery but outdated expectations of what women can—or should—do. Bravo, Ms. Archer, bravo!
As for Harry Archer and his scheming lover Honey Parker... let's just say they had it coming. A lesson for us all: never underestimate the fury of a woman armed with both heartbreak and height advantage!
In the end, my dear dolls, Attack of the 50 Foot Woman is a towering achievement of camp, a time capsule of 1950s fears, and a cheeky reminder that revenge is best served fifty feet tall. If you haven't experienced this masterpiece of melodrama, do yourself a favor—pour a martini, don your most dramatic outfit, and let Nancy Archer show you what larger-than-life cinema truly means.
Until next time, remember: the truth is out there—and sometimes, it comes with a giant glowing alien orb.
Yours in delightful devastation,
Dale T. Doll
COMMENTS